Aida, one of the greatest masterpieces in the history of opera, is not only a story of love and betrayal but also a unique work where politics, art, and culture converge. Composed by the world-famous Italian maestro Giuseppe Verdi, this opera tells a tale of origins and creation that itself reflects a history within history.
By the late 19th century, the Khedivate of Egypt, which had separated from Ottoman rule, sought, like the Ottomans themselves, to open to the Western world, modernize, and make its cultural voice heard. Ismail Pasha, grandson of Muhammad Ali Pasha, invested heavily to see his country represented on the same cultural stage as Europe. He commissioned the construction of a new opera house in Cairo. His aim was to raise Egypt’s cultural prestige and to demonstrate a powerful image of Egypt, particularly to France and Italy.
At first, Verdi was asked to compose a piece for the opening. However, he declined the idea of writing a dedicated 'opening opera,' and instead one of his existing works, *Rigoletto*, was performed. But Ismail Pasha was not deterred. He continued searching for a grand project that would present Egypt to the world through art.
The turning point in Aida’s creation came with the involvement of the renowned French Egyptologist Auguste Mariette. Deeply knowledgeable about ancient Egyptian culture, Mariette drafted a story set in the atmosphere of antiquity at the Khedive’s request. This outline was then shaped into a scenario by French playwright Camille du Locle, while the opera’s libretto was written by Italian poet Antonio Ghislanzoni.
The plot tells a dramatic love triangle set in ancient Egypt: Aida, an Ethiopian princess; Radames, commander of the Egyptian army; and Amneris, daughter of the Pharaoh. Against the backdrop of war between Egypt and Ethiopia, the story unfolds themes of betrayal, patriotism, and tragic love. These themes transcended Egypt itself, embodying a universal human narrative—one of the reasons why the work became immortal.
Although initially reluctant, Verdi ultimately accepted the magnificent project. What convinced him was both the dramatic strength of the story and the generous budget Egypt devoted to the opera. Verdi meticulously oversaw every detail—from costumes to sets—working to create an opera that would bring the grandeur of ancient Egypt onto the stage.
However, the outbreak of the Franco-Prussian War in 1870 caused delays: the stage sets and costumes prepared in Paris could not be shipped to Cairo in time. As a result, Aida’s world premiere had to be postponed.
Finally, on December 24, 1871, Aida premiered at the Khedivial Opera House in Cairo. The debut was a resounding success, enchanting both Egyptian elites and European guests. Interestingly, Verdi himself did not attend the Cairo premiere; for him, the true highlight was the European premiere held in 1872 at La Scala in Milan.
Aida was far from being an ordinary opera, given the circumstances of its birth. While it staged the magnificence of ancient Egypt, it also reflected the global politics of the 19th century. Ismail Pasha’s ambition to place Egypt on Europe’s cultural stage was realized through art. For Verdi, it became one of the most powerful works of his career. Today, Aida remains among the most frequently performed operas worldwide, especially in grand venues and open-air settings such as Verona Arena or even in front of the Pyramids of Giza, where its spectacular choral scenes continue to captivate audiences.